Details » Leonardo DiCaprio: Naturally Talented

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- Category: TV & Movies
- Description: A forum dedicated to the wondeful Leonardo DiCaprio!
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- Created On: Jun 16, 2007
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1. | Jan 5, 2018
mqTjY5 https://goldentabs.com/
2. | Jul 30, 2013
Jun14Becca Joy The lake looks great. The pictrue of Ringo took me there. Although it's just a pictrue, it's sooooooo real. What more could Ringo ask for? Becky
3. | May 24, 2013
rD2RDK hrxolctcjkef
4. | May 24, 2013
that the end was meant to show that Cobb didn't care whether he was in one rlieaty or not anymore, and that he can see his children's face again: “The important thing is that Cobb’s not looking at the top.a0 He doesn’t care.” That about sums it up. Or does it? In the beginning when Old Saito is questioning Cobb in shared Limbo-space, Saito mutters the line: You remind me of someone a man I met in a half-remembered dream. He was possessed of some radical notions. and thus the dialogue with Cobb resumes. At the end when it leads up to that opening scene again, the lines are much different: Saito: Have you come to kill me? I've been waiting for someone Cobb: Someone from a half remembered dream . and there lies a major issue.Mal tells Cobb he can't just live in one rlieaty anymore. So perhaps this one moment that is extremely different can be chalked up to just simple POV? In Pulp Fiction, Tarantino opened with Ringo and Honeybunny robbing the restaurant, (you can hear Jules & Vincent having their little chat before the commotion) and HoneyBunny says her line one way; at the end when Jules and Vincent are having their conversation before Vincent uses the bathroom (you can hear Ringo and HoneyBunny having thier chat before they decide to rob the restaurant) HoneyBunny change says her line a different way, signifying Jules interpreting it one way and Ringo another. Or the entire movie was indeed Cobb constantly stuck in Limbo and desperately trying to work his way out every time, getting closer to accepting his dream world as rlieaty without the guilt of what happened to Mal. He may indeed keep looping into an indefinite stream of alternate situations involving the same characters, leading up to Old Saito, and something changing slightly at that point again. Who knows. This is why Christopher Nolan is the MASTER. The answer most certainly could be anything ..